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April 23, 2013 By squirt

Rodriguez “Searching for Sugar Man” at the Warfield

RODRIGUEZ

Rodriguez at The Warfield, April 23, 2013

Firehouse-Goldenvoice No. 174

21 x 32

Edition of 125

3 colors on archival cream paper

Signed and Numbered

Sold Out – Thank You!

_______________

RODRIGUEZ-SILVER

 

Rodriguez at The Warfield, April 23, 2013

Firehouse-Goldenvoice No. 174

21 x 32

Silver Edition of 10

2 colors on silver metallic paper

Signed and Numbered

Sold Out – Thank You!

_______________

 

RODRIGUEZ-GOLD

Rodriguez at The Warfield, April 23, 2013

Firehouse-Goldenvoice No. 174

21 x 32

Gold Edition of 10

2 colors on silver metallic paper

Signed and Numbered

Sold Out – Thank You!

__________________

 

For more on  Rodriguez read on…

The story remains one of the music world’s most unusual tales of the 1970s: an obscure debut LP by a Detroit singer-songwriter becomes a source of hope and inspiration to the anti-Apartheid movement in South Africa. Now, the story of Rodriguez and his cult album Cold Fact is the basis for Searching For Sugar Man, a riveting new documentary by filmmaker Malik Bendjelloul. Light In The Attic Records in partnership with Sony Legacy are honored to announce the release of the original motion picture soundtrack, comprising tracks from Cold Fact and its 1971 follow-up Coming From Reality – both reissued in 2008 and 2009 by Light In The Attic.

Back in the late ‘60s, Rodriguez was discovered in a Detroit bar by renowned producers Dennis Coffey and Mike Theodore. They recorded a 1970 album that they believed was going to secure his reputation as one of the greatest recording artists of his generation. Instead, Cold Fact bombed, and despite the release of a second LP, entitled Coming From Reality and produced by Steve Rowland, Rodriguez drifted into obscurity, even being subject to some fantastic rumors of a dramatic onstage death.  Cold Fact took on a life of its own when a bootleg recording found its way into apartheid-era South Africa. Banned by the government, the album became a country-wide phenomenon over the next two decades, and the soundtrack to a resistance movement of liberal African youth. Back in Detroit, working in construction and renovation (he also ran for mayor), Rodriguez was totally unaware that he was not just a folk hero but a household name thousands of miles away. Decades later, two South African fans, Stephen ‘Sugar’ Segerman and Craig Bartholomew-Strydom set out to find out what really happened to their hero, and their investigation led them to a story more extraordinary than any of the many myths they’d heard. Their story forms the basis of Searching For Sugar Man.

“I describe myself as ‘musico-politico’,” Rodriguez said recently. “I was born and bred in Detroit, four blocks from the city center. Back then, I was influenced by the urban sounds that were going on around me all the time. Music is art and art is a cultural force. As far as my work from Detroit comparing to the South African Apartheid, the similarities echo. The placards of the 1970s in the United States read things like: We Want Jobs and Stop the War – I was looking at the music from a working class perspective that was relevant, as it turns out, to the kids in South Africa.”

 

Filed Under: Rock Posters Tagged With: Firehouse Goldenvoice Poster Series, Rodriguez, The Warfield

April 12, 2013 By squirt

Crossroads Guitar Festival 2013 Poster by Chuck Sperry

CROSSROADS-GUITAR-FESTIVAL-WEB

Crossroads Guitar Festival 2013 Poster

by Chuck Sperry

Madison Square Garden, New York City

Friday, April 12 & Saturday, April 13, 2013

22 x 32

Edition of 1000

6 colors on archival cream paper

Signed and Numbered

—

Crossroads Festival line-up is a who’s-who of the best guitarists in the world. This year’s festival includes:

Albert Lee • Allan Holdsworth • Allman Brothers Band • Andy Fairweather Low • BB King • Blake Mills • Booker T • Buddy Guy • Citizen Cope • Dave Biller • Doyle Bramhall II • Earl Klugh • Eric Clapton • Gary Clark Jr. • Jeff Beck • Jimmy Vaughan • John Mayer • John Scofield • Jonny Lang • Keb Mo • Keith Urban • Kurt Rosenwinkle • Los Lobos • Robbie Robertson • Robert Cray • Robert Randolph • Sonny Landreth • Taj Mahal • Vince Gill

Poster is available here in Eric Clapton’s official store, and will benefit the Crossroads Centre.

 

Filed Under: Rock Posters Tagged With: Albert Lee, Allan Holdsworth, Allman Brothers Band, Andy Fairweather Low, BB King, Blake Mills, Booker T, Buddy Guy, Citizen Cope, Dave Biller, Doyle Bramhall II, Earl Klugh, Eric Clapton, Gary Clark Jr., Jeff Beck, Jimmy Vaughan, John Mayer, John Scofield, Jonny Lang, Keb Mo, Keith Urban, Kurt Rosenwinkle, Los Lobos, Robbie Robertson, Robert Cray, Robert Randolph, Sonny Landreth, Taj Mahal, Vince Gill

April 5, 2013 By squirt

Widespread Panic Spring Tour 2013 Poster

WIDESPREAD-PANIC-SPRING-13

 

Widespread Panic • Spring Tour 2013

20.75 x 35

Edition of 700

7 colors on archival cream paper

Signed and Numbered

________________

This poster is available through Widespread Panic at the shows. I’ll be making a very limited release of artist proofs and variants after the tour is over.

WP-SPRING-DETAIL

Filed Under: Rock Posters Tagged With: Spring Tour 2013, Widespread Panic

April 3, 2013 By squirt

Pearl Jam Buenos Aires Poster

PEAR-JAM-BUENOS-AIRES-WEB

 

Pearl Jam Buenos Aires

Chuck Sperry and Santi Pozzi

22 x 29

Artist Edition of 100

4 colors on archival cream paper

Signed and Numbered (Chuck Sperry signed – Chuck Sperry and Santi Pozzi – plate signed on the back)

Sold Out – Thank You!

 

PEARL JAM STORY BA

________________

We will be making a very limited release of Artist Edition posters, here, on Sunday, April 7, 2013 at a random time.

________________

When Pearl Jam asked me to make a poster for Buenos Aires, they knew my recent history in Argentina. I had recently visited Argentina to make a presentation about rock posters at the Trimarchi Design Conference, at the invitation of Santiago Pozzi, an artist who had worked together with the me at my studio as an intern for many months in 2012. I asked Pearl Jam if it would be possible to collaborate with Santiago Pozzi – and to introduce you to the great, new young talent, the Argentine rock poster artist Santi Pozzi – to make their Buenos Aires show poster. Pearl Jam loved the idea. It was a bit of an extension of the VS. idea (at my behest), but with the hand-written story of the poster printed on the back, which ingeniously distinguishes this series of posters from other posters for Pearl Jam.

After traveling to Argentina and meeting many of the artists there, I felt that Santiago Pozzi would have the local knowledge to work with me to make a very authentic poster for Pearl Jam’s concert in Buenos Aires. I felt Santi should generate the theme and idea for the poster, and asked him what he thought. He returned with this idea: Argentina’s local folk hero, Gauchito Gil, known by every Argentine from childhood, should be fighting a mutant soy bean monster from the genetically altered soy bean crops that have invaded Argentina’s farmland for years. In Argentina, South America’s bread-basket, the farmland is called the Pampas. And lately, the Pampas have been over-run by industrial soybean production, by monoculture, and that monoculture, industrial production is engineered by Monsanto Corporation, who overlords the use of genetically engineered seeds. You can read a New York Times article about genetically engineered soybean seed here.

This important issue and treatment of it, would resonate with the Argentine fans. They would immediately understand the anti-corporate motif, and this would mirror Pearl Jam’s opposition to corporate control – whether it is in the music we listen to, or the food we eat. The local folk hero, Gauchito Gil, who is like a Paul Bunyan figure in Argentine mythology, would be fighting for the freedom of Argentina from corporate control. Very Pearl Jam!

Santi drew Gauchito Gil and I drew the Soy Monster. I figured since I’m the Nord Americano, that made sense, and I Rat Finked him out, California-style. I’m very happy with the result, and the Supreme Court ruling, and all the press about Monsanto’s control of genetically engineered food made this a classic mix of rock poster and protest poster all wrapped in one.

As a note: Santi Pozzi printed all the show posters for Buenos Aires at Imprenta Chimango, his printing company in Buenos Aires. I printed all the posters for the Ten Club and for the Artist Edition release (with metallic blue-silver) which is offered here.

___________

We will be making a very limited release of Artist Edition posters, here, on Sunday, April 7, 2013 at a random time.

Filed Under: Rock Posters Tagged With: Chuck Sperry, Monsanto, Pearl Jam, Santiago Pozzi

March 6, 2013 By squirt

Wilko Johnson “The Last Tour” Poster

WILKO-JOHNSON-WEB

Wilko Johnson, “The Last Tour”
22 x 32
Edition of 325
4 colors on archival cream paper
Signed and Numbered
Sold Out – Thank You!
________________
I’ll be making a very limited release of this poster at my debut opening at Hangar 18 Gallery, at 1428 34th Street, Oakland, on Thursday, March 7, at 6 to 9 pm.
On Sunday, March 10, 2013 I’ll release a limited reserve of this poster online here on chucksperry.net
________________
Wilko Johnson will be touring with my poster in the UK. Watch Flood Gallery in London for special announcements soon!
________________
I’m posting Wilko Johnson’s inspiring story below – below see actual photo of the finished poster (the image above is a digital representation):
WILKO-PHOTO
Cult musician Wilko Johnson “so alive” as death approaches

By Jeremy Gaunt

(Reuters) – Wilko Johnson, cult guitarist from 1970s beat band Dr Feelgood and herald of English punk rock, is on a high – even though he is dying of pancreatic cancer.

The musician, songwriter and sometime actor has watched with amazement as a planned tour of farewell concerts sold out and interest has surged in almost anything he has touched, including the 2009 award-winning documentary “Oil City Confidential.”

One British newspaper has even affectionately dubbed him the country’s latest “national treasure”.

“Why didn’t we think of this 20 years ago?” Johnson told Reuters, at home a few miles from his Canvey Island birthplace, near where the Thames estuary opens into the English Channel.

It is the kind of joke, accompanied by a devilish laugh, that makes death far easier to talk about than expected.

Johnson, 65, will happily tell you that learning last month that the end of his life is probably less than a year away has not all been negative, with an almost “euphoric” feeling keeping some of his darker traits seem totally in check.

“It makes you feel so alive,” he said. “Just walking down the street, man, everything looks really intense. Any little thing you look at, it almost gives you a kind of childlike consciousness.

“I’m a miserable so-and-so. I suffer from depression and everything … but all that stuff whatever it was I used to worry about – it doesn’t matter. What’s gone, what is and what will be, do not matter.”

What he fears is not death but getting sick. The concerts lined up for February and March depend on his health.

“I’m not going on stage sick. I’m not going to have someone pushing me around in a wheelchair. They’d have to push fast,” said Johnson, whose stage presence is frenetic.

CHOPPING AWAY

Johnson’s initial heyday was in the early 1970s when Dr Feelgood was bashing out driving R&B rock in pubs and clubs while others such as Pink Floyd and David Bowie grabbed the headlines with prog and glitter.

It was a precursor of the punk music that would soon sweep across Britain’s music scene.

With a distinctly geeky pudding-bowl haircut and a manic stare, Johnson became renowned for strutting like a musical automaton in front of lead singer Lee Brilleaux, who died in 1994, also of cancer.

Johnson’s guitar style added to the aura. A left-hander who plays right-handed, he employs an unusual picking and strumming style that allows him to master a staccato lead and rhythm at the same time.

“When I was a schoolboy and I started learning to play, I learnt left-handed. Well, I was rubbish. Everybody at school played better than me,” he said.

He solved the problem by switching to right-hand guitar and learning all over again. The result can be mesmerizing.

“It is done with choppy chords and chopping off chords short and in doing so you can make percussive patterns with it.”

Johnson, who is almost always just called Wilko (his name at birth was John Wilkinson), moved on from Dr Feelgood to spend some time with the Ian Drury & The Blockheads and form the Wilko Johnson Band which released its last album in 2005.

His eccentricity pretty much stole the limelight in “Oil City Confidential”, a documentary about Dr Feelgood and the petrochemical hub that is Canvey Island.

It turned out not to be his only foray into film. Sometime after – and as a result of his manic performance in “Oil City”, he believes – he was cast in television’s “Game of Thrones”, playing executioner Ser Ilyn Payne who had his tongue ripped out.

“Basically, all I had to do was go around giving people menacing looks. I can do that,” he said.

But it is the music for which Johnson will be remembered with his passion passed on to his son, Simon, who plays guitar in a band called Eight Rounds Rapid.

“Nothing like me,” Johnson said. “He taught himself. Well, you don’t listen to your dad, do you?

“I haven’t any botherations about death. So far, so good. Happy.”

Filed Under: Events, News, Rock Posters Tagged With: Dr Feelgood, Flood Gallery, Game of Thrones, Ian Drury and the Blockheads, Oil City Confidential, The Last Tour, Wilko Johnson

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About Chuck Sperry

Chuck Sperry lives in the Haight-Ashbury district of San Francisco, where he’s made his particular style of rock poster designs for over 20 years. He operates Hangar 18, a silkscreen print studio, located in Oakland. Learn More…

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Sperry Books: “Color x Color” • “Helikon” • “Chthoneon” • “Idyllion”

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  • Chuck Sperry’s Widespread Panic Poster Wins Award
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