Chuck Sperry

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The Black Keys Oakland Poster

THE BLACK KEYS WEB FINAL

The Black Keys Oakland 2014
20 x 34
Edition of 225
7 colors on archival cream paper
Signed and Numbered

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TBK-BLUE-OPAL
The Black Keys Oakland 2014
20 x 34
Blue Opal Edition of 25
7 colors on blue opal metallic paper
Signed and Numbered

SOLD OUT – Thank You!

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TBK-GREEN-METAL
The Black Keys Oakland 2014
20 x 34
Dark Green Metallic Edition of 15
7 colors on dark green metallic paper
Signed and Numbered

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The Black Keys Philadelphia Poster

TBK-PHILLY-REG

The Black Keys Philadelphia 2014
30 x 22
Edition of 280
6 colors on archival cream paper
Signed and Numbered

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TBK-PHILLY-OPAL-GOLD

The Black Keys Philadelphia 2014
30 x 22
Gold Opal Edition of 15
6 colors on gold opal metallic paper
Signed and Numbered

Sold Out – Thank You!

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TBK-PHILLY-GREEN-FOIL

The Black Keys Philadelphia 2014
30 x 22
Green Mirror Foil Edition of 15
6 colors on green mirror foil
Signed and Numbered

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About the design:

When I heard The Black Key’s new album “Turn Blue” I was struck by the heavy acid rock intro.
My poster for Philadelphia mashes a retro psychedelic vibe with contemporary graffiti background.
Realized in heavy metallic gold and blue metallic silver, this poster just glows.

Here’s a detail of this poster (made as a companion to my The Black Keys, Council Bluffs, Iowa poster 2011)

tbk-detail

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The Black Keys • Beale Street Music Festival • Memphis

THE-BLACK-KEYS-BEALE-ST

The Black Keys
Beale Street Music Festival, Memphis
30 x 23
Edition of 125
5 colors on cream paper
Signed and Numbered

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THE-BLACK-KEYS-VARIANT
The Black Keys
Beale Street Music Festival, Memphis
30 x 23
Vintage Variant Edition of 25
5 colors on acid-free textured paper
Signed and Numbered
Sold Out – Thank You!
 
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The Black Keys asked for a bluesy poster that captured the authentic roots of Beale Street, Memphis. My poster: a moment from the illustrious history of Beale Street, the roots of blues and rock and roll, with the texture and warm colors of an approaching May night as the shadows lengthen along the front of the pool hall on Beale.

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The Black Keys, Oracle Arena, Oakland

I’ve updated this post with images below of the actual poster. The digital image which was previously in this post is at the bottom of this post (should you like to reference it).

FYI – I sometimes post a digital image before I have a chance to photograph the actual poster. This digital image is used to create the poster and is used to show the band what I will make – before I make it. When possible, I like to show the actual photograph, like the one just below, so people can actually see what the poster looks like. Enough said. The show was awesome last night!

 

The Black Keys, Oracle Arena, Oakland

May 4, 2012

19 x 33

6 colors on archival cream paper

Edition of 315

Signed and Numbered

Sold Out – Thank You!

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The Black Keys, Oracle Arena, Oakland

May 4, 2012

19 x 33

Parchment Edition of 20

6 colors on parchment paper

Signed and Numbered

Sold Out – Thank You!

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“They wanna get my
Gold on the Ceiling
I aint blind
It’s just a matter of time
Before you steal it
It’s alright
Aint no guard in my house.”
I’ve been playing Gold On The Ceiling – and it’s become a sort of theme song.
With the Firehouse’s innovation of the use of Gold and Silver metallic inks, which we started using almost 18 years ago,
the gold on the ceiling lyrics have a special place in my heart. The Black Keys are written across the gold ceiling in my poster.
I also created a custom Black Keys wallpaper and dress pattern which works throughout the design:
digital image of The Black Keys, Oakland poster:

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The Black Keys, London, “The Three Fates” Poster Release

Here’s the Black Keys poster release. Posters will be released tomorrow on this post.

I reserved 70 posters from the regular edition of 260 on pearl silver paper, to be specially released as uncuts. I’ve noted which numbers in the edition of 260 are cut and which are uncut (below).

I am also releasing two rare variant editions of 30 which are only produced and released in uncut form.

I left a little room around the edges for these uncut versions – as the cut versions left some of the image off – so that explains the difference in sizing.

I will be making a very limited release of this poster (cut and uncut, and variant uncut editions) on Sunday, February 12, 2012 at a random time.

The Black Keys London 2012
“Clotho” February 9, 2012
Edition of 260 (cut numbers 1-190)
10.5 x 24
four colors on pearl silver paper
Signed and Numbered

Sold Out – Thank You!

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The Black Keys London 2012
“Lachesis” February 10, 2012
Edition of 260 (cut numbers 1-190)
10.5 x 24
four colors on pearl silver paper
Signed and Numbered

Sold Out – Thank You!

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The Black Keys London 2012
“Atropos” February 11, 2012
Edition of 260 (cut numbers 1-190)
10.5 x 24
four colors on pearl silver paper
Signed and Numbered

Sold Out – Thank You!

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The Black Keys London 2012
“The Three Fates” February 11, 2012
Edition of 260 (uncut numbers 191-260)
32.75 x 24
four colors on pearl silver paper
Signed and Numbered

Sold Out – Thank You!

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The Black Keys London 2012
“The Three Fates” February 11, 2012
Pearl Cocoa Edition of 30
32.75 x 24
four colors on pearl cocoa paper
Signed and Numbered

Sold Out – Thank You!

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The Black Keys London 2012
“The Three Fates” February 11, 2012
Pearl Blue Opal Edition of 30
32.75 x 24
four colors on pearl blue opal paper
Signed and Numbered

Sold Out – Thank You!

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Sperry Books: “Color x Color” • “Helikon” • “Chthoneon” • “Idyllion”

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