Edwardian Ball 2015
20 x 35
Edition of 125
3 colors on cream paper
Signed and Numbered
Sold Out – Thank You!
It’s Edwardian Ball time again, and as always, it’s a great pleasure to work with Justin Katz, the Edwardian Ball impresario, and once again I had a lot of fun making this poster!
My Edwardian Ball posters always have an edge of social critique in them. They are done with a wink and a nod, in keeping with the enjoyment of attending such an elaborate period pageant.
Most of the attendees also realize that the Edwardian era was one of unabashed and ostentatious oligarchy, unrivaled economic imperialism and a presumed European superiority complex. It’s all of these things that makes the period so bizarre to us today. I’ve always endeavored to reveal this outrageous and bizarre sense of imperial entitlement in my Edwardian Ball posters, and keep them wild and fun.
My balance toward the subject, elicited a Jordanian princess and her French noble husband to buy and frame my Edwardian Ball poster from 2011. They invited me for drinks on one of my trips to France. As they explained to me, “You must understand, we are decedents of this world, and even we think this world is outdated and bizarre. I’m impressed how you balanced your view of it, to depict its elegance and outrageousness at the same time. It’s exactly the alienation we feel towards this past.”
I told them I was coming at the problem from the other direction, as a critique, and we laughed. I told them that I was still a warrior for the working class. Sometimes these worlds collide in rock and roll.
In this poster I depict King Edward VII, as a Masonic Zombie, supreme in his oligarchic entitlement, one hand on his sword (might at the ready) the other subduing his trained ape (the artist). The setting is British Imperial India, the colonies, and a map shows the imperial campaign: “Civilization” wages war against “Savages, Trolls, and The Great Unwashed.”
In this period of unfettered worldwide oligarchy, is it any wonder us apes are getting restless?
Edition of 150
23 x 32
7 colors on cream paper
Signed and Numbered
Paper prints: edition of 150
Paper variant prints (wave foil, silver, gold opal) : edition of 15 each
Wood panel variant: edition of 30
Available this weekend at the LA Art Show at the Spoke Art booth, #1131.
I am excited to announce my latest fine art screen print to be released exclusively through Spoke Art in the Littletopia section of the LA Art Show. Entitled “Maia,” this new piece in my ongoing Muses series, is inspired by the mother of Hermes, inventor of the lyre.
Leaf through the catalog below for more information on the LA Art Show:
My Nick Cave Deck is available officially through Fast Times Skate Company in Melbourne.
From Fast Times: “True legend of Australian music, Nick Cave has teamed up with Fast Times to produce an exciting and rad collection! After discussing lyrics and a theme, It was agreed Nature Boy best suited the Melbourne Skate Scene and vibe of Fast Times. The Lyrics are taken from ‘Nature Boy’ A track from’s Nick’s ‘Abattoir Blues’ Album which also is featured in the accompanying Fast Times Skate clip.”
“Chuck Sperry is the artist behind this project and has done many of Nick Cave’s tour posters. Hailing from San Francisco, he has worked alongside many other music greats to create some truly unique and iconic pieces of art. The board features a full wrap graphic that uses a metallic glitter (inspired by old school motorbike helmets) to highlight the intricate detail of Chuck’s artwork. It runs throughout the board and gives the board a unique texture and feel. It also features lyrics chosen by ourselves and Nick to reflect the theme of the graphic.”
“We are stoked to have worked with Chuck on this limited edition collection!” — Fast Times